Although I’ve lived in Virginia for well over 20 years, I haven’t set much fiction here–just The Orphan’s Tent (1996), a young adult novel, one section of Dugan Under Ground (2001), and the short story “Playing with DaBlonde” that I contributed to Richmond Noir (2010). So I decided, some years back, to write a book of three linked novellas and set each of the stories in or around Richmond, but just as I started to work on that, I got the opportunity to write a novel about Superman, which I grabbed, and that took me over three years to complete. As soon as I’d finished, I went back to my notebook and refamiliarized myself with the ideas that I’d had for the novellas and started drafting them all, working on all three simultaneously. But then I got another opportunity, this time an invitation from Yale Univesity Press to write a non-fiction book about Superman for its Icons of America series, and since I’d always wanted to see if I could do a book-length essay, I accepted the offer, and once again put aside my Richmond novellas for another three years. But since around 2009 I’ve been working on them again fairly regularly, though I’ve also been working on a long historical novel tentatively titled Patsy Touey. Finally I finished first drafts of the three novellas, and ever since have been revising, revising, revising. The one that’s closest to being “finished,” is called “Standard Six” (which is also my title for the trilogy of novellas), and here are its first six chapters.
This is the beginning of the second of three novellas intended to be read together, in sequence, and to constitute a book called Standard Six. I seem to have been working on them forever. I started writing them years ago, and keep coming back to them and revising, then leaving them still unfinished to do something else, then coming back to them again. Of the three, this one–the title is still a working title–has the voice that’s most fun to ventriloquize but it’s the least polished, least finished, story. I have more drafted beyond this spuming introductory chapter, but it’s still too raw to put up now. (During one revision, I inserted a paragraph cut-and-pasted from my story “Playing with DaBlonde,” which was published in Richmond Noir. It seemed a good idea at the time. Since the paragraph is still here, I guess it still does).